Spider-Man Noir: The Complete Collection
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'Hine and Sapolsky, score a resounding success here. The first of Marvel's new Noir line, which places familiar heroes into pulp-inspired 1930s narratives, throws young Peter Parker into a world of gangster-run streets and crusading newspapermen, as the young man steps into the role of a fearsome vigilante in the tradition of the Shadow. Even as the story spins familiar characters and motivations in a slightly different direction and melds the pulp sensibility with an accurate and detailed historical depiction, Di Giandomenico's art displays a fluid depth and is drenched in shadow, creating an atmosphere entirely appropriate to noir. Along with a surprising complexity in supporting characters like Aunt May and Ben Urich comes a moral shading that will offer older readers something to chew on, though rest assured that the heroic themes of integrity, courage, redemption, and idealism come through loud and clear.' -- JesseKarp'David Hine's take on the Depression Era Spider-Man is perhaps one of the most divergent from the character's mainline continuity. The setting is pure pulp noir, but feels more original than some of the other Marvel Noir story arcs. The art is good, and the color palette is dark without being overdrawn or too dark to easily make out action. Spider-Man here is more sullen than his mainline counterpart and much more violent.' - C. Derick Varn'This read just like an old black and white detective movie. It's the nineteen thirties in New York, and the crime lords of Manhattan have a new enforcer. He is known as the Goblin, and he brings with him a crew of monsters from circus freak shows around the country. I found this take on the Vulture one of the creepiest things I've read in awhile. I also really like this version of Ben Ulrich and Felicia Hardy. The art was very good, and I would highly recommend this to anyone.' -Ian McKee'Roger Stern is onboard for 'The Luck of the Parkers' ... which features Six-Arm Spider-Man and Spider-Man Noir. Joining Stern is artist Bob McLeod with his strong storytelling and clean figure work.' -- Doug ZawiszaRead more
'Hine and Sapolsky, score a resounding success here. The first of Marvel's new Noir line, which places familiar heroes into pulp-inspired 1930s narratives, throws young Peter Parker into a world of gangster-run streets and crusading newspapermen, as the young man steps into the role of a fearsome vigilante in the tradition of the Shadow. Even as the story spins familiar characters and motivations in a slightly different direction and melds the pulp sensibility with an accurate and detailed historical depiction, Di Giandomenico's art displays a fluid depth and is drenched in shadow, creating an atmosphere entirely appropriate to noir. Along with a surprising complexity in supporting characters like Aunt May and Ben Urich comes a moral shading that will offer older readers something to chew on, though rest assured that the heroic themes of integrity, courage, redemption, and idealism come through loud and clear.' -- JesseKarp'David Hine's take on the Depression Era Spider-Man is perhaps one of the most divergent from the character's mainline continuity. The setting is pure pulp noir, but feels more original than some of the other Marvel Noir story arcs. The art is good, and the color palette is dark without being overdrawn or too dark to easily make out action. Spider-Man here is more sullen than his mainline counterpart and much more violent.' - C. Derick Varn'This read just like an old black and white detective movie. It's the nineteen thirties in New York, and the crime lords of Manhattan have a new enforcer. He is known as the Goblin, and he brings with him a crew of monsters from circus freak shows around the country. I found this take on the Vulture one of the creepiest things I've read in awhile. I also really like this version of Ben Ulrich and Felicia Hardy. The art was very good, and I would highly recommend this to anyone.' -Ian McKee'Roger Stern is onboard for 'The Luck of the Parkers' ... which features Six-Arm Spider-Man and Spider-Man Noir. Joining Stern is artist Bob McLeod with his strong storytelling and clean figure work.' -- Doug ZawiszaRead more
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